In reply to the very first post of this thread (it's taken me some time to read all 38 pages!) I'd have to pick Let Me Down Easy. It would have been Summer Lightning for certain but I never did manage to get my fingers around it. Over the years I've played many of Ralph's songs but I can only remember how to play a few of them now - a disastrous house fire a few years ago put paid to my entire collection of printed music including all of Ralph's songbooks. I have kept an eye on a copy of the first song book on ebay over the last few days but I let it pass when it shot up to £30.99 with half an hour to go.
Anyway at one time or other I've played all of the following:
Nanna’s Song
The Mermaid and the Seagull
Streets of London
Mrs Adlam’s Angels
Wino and the Mouse
Daddy’s Here
Rizraklaru (Anag.)
Terminus
Michael in the Garden (v. dodgy!)
Clown
Girl on a Bicycle
Factory Girl
Silver Birch and Weeping Willow
Genesis 1 v20
First and Last Man
In Some Way I Loved You
The Ferryman (F# run? what F# run? Fudge it mate.)
Zimmerman Blues
First Song
Maginot Waltz
Sweet Mystery
Let Me Down Easy
Grande Affair
Weather the Storm
From Clare to Here
Slow Burning Companion
Please note there are no ragtime pieces. I love them, but the ability to play rags is another thing that has always eluded me. As for Nettle Wine ...
A great and impressive selection of Ralph songs you have there, Pete
Sorry to hear about your sad losses. In case you don't know, there is a "new" tab-book
with all his best songs - 41 in all, I believe - available at
http://www.ralphmctell.co.uk/It's called "Songs for Six Strings" ( NB. NOT to be confused with the great album called
"Songs for Six Strings II", which includes a breathtaking and haunting version of "Red & Gold" ).
Well, just keep working on Nettle Wine, and you will get there. It used to elude me for a long
time as well, simply because my fingers weren't really used to these "semichords". Also, I think
you will find it easier, if you don't move the (relevant) fingers from the strings, as you go from
5'th fret to 2'nd and up to 10'th (?) - just use the strings as your guides, so to speak - and even
to obtain some nice slide effects, if you feel like it
If you have Blind Blakes rag as a tab, that is a good place to start with the ragtime stuff.
I did, because I had worked out a bit of it by myself, and the chords are not too difficult -
except for the F-variants of course. They are easier if you don't use are fully barred F!
Use your thumb for the first string instead and leave the A-sting open ( Since the note A is also
part of the F-major chord! ) These little tricks are usually not mentioned in the tabs, but they
do make life a whole lot easier
) - ie. 1(T!), 0, 3, 2, 1, 1 - that is a "mini bar" on
5'th and 6'th string (thinnest) with your index finger, which leaves your pinky free for
use on the 5'th string, 3'rd fret - including bending the string at this position to get that cool
ragtime/ blues feeling! (and for a typical progression into Fm (also semi!) and G ).
Ralph often uses "this" chord ( 1 0 3 2 1/3 1/0 ) - for example in "From Clare to Here"
and even in "Streets of London" (!) - and lately in "Reverend Thunder" / Blind Faith".
It's also very easy and quick to go back and forth between this version of the F-chord(s)
and the accompanying C-chord, when you are fingering it like this.
Another option for it is " 1(Index!), 0, 3, 2, 3 (p), 0 " (good with runs). A lot of his technique
is based on only fingering as much of a chord as you need in the situation - in spite of what the
official chords of your tab might say!!! -, and fingered in a clever way that makes it easier and
quicker to move to the next chord, thereby buying him precious time and leaving free fingers to
add a base run and the odd lick in between, if you see what I mean. ( ie. he "cheats" a lot! ).
So you shouldn't read those chords schemes in the tabs too litterally - at least I used to do that
In a D chord it's often a great advantage to finger it semi barred like this:
"0 0 0 1 1 1" ( ie. semi barre with index finger) - and then use your middle finger for the
fifth string, second fret to give the "0 0 0 1 2 1" - instead of the traditional version, where
you use three fingers.
I hope this helps - enjoy & keep picking
Henrik
PS. If you try picking on these two chords ( "F" & C) - going back and forth, adding or
lifting a finger here and there - , the wonderful tune "Time After Time" by Cindy Lauper
will soon start to emerge, all by itself
( start at "1 0 3 2 3 0" = Fmaj6, I think )
PPS. "Red & Gold" is a great,
slow tune for practicing your playing in dropped-D!
( which will make it a lot easier to pick up the amazing "Hands of Joseph" !!! )