Andy
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« Reply #80 on: December 10, 2010, 10:52:21 PM » |
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It's one thing to say it isn't better than the original, but quite vituperative to use the word "slaughtering"... and that's what I objected to.
What I love about this is no-one here has heard the album and yet strong opinions are being expressed!
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Dave Brzeski
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« Reply #81 on: December 10, 2010, 11:23:35 PM » |
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What I love about this is no-one here has heard the album and yet strong opinions are being expressed!
Well, if we all assume we're going to hate it before we hear it, then we're less likely to be disappointed when we do.
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Andy
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« Reply #82 on: December 10, 2010, 11:25:49 PM » |
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"Dave, this conversation can serve no purpose any more."
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dooovall [Daniel]
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« Reply #83 on: December 11, 2010, 02:31:57 AM » |
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...the slaughtering of a much loved favourite...
Have you actually heard this unreleased album? Name me one Fairport re-recording that is better then the original, and I will gladly eat my words. The only one to come close is Polly on the Shore, and even then I reach for the original when I want to her it. The version of Portmeirion on XXXV sounds better to my ears than the original from Expletive Delighted. The XXXV interpretation features a much stronger bass line, flute from guest Ian Anderson, percussion instead of keyboards, and a fine mandolin solo.
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Sir Martin
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« Reply #84 on: December 11, 2010, 09:14:34 AM » |
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Porteirion was never a 'much loved favourite' with me anyhow!
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It's like the giant, generous, flip you to the world. Industry, the Internet, sport and the flipping Beatles. Flip you all melonfarmers, but especially Paris.
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GubGub (Al)
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« Reply #85 on: December 11, 2010, 09:31:39 AM » |
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What I love about this is no-one here has heard the album and yet strong opinions are being expressed!
Because we have heard several of the songs live and know the source of others, a certain perversely initialled female songwriter amongst them. That's what made my heart sink. "The Crowd" as a Fairport classic anyone?
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Red Shoes (Caz+Mark)
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The bass player's back !
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« Reply #86 on: December 11, 2010, 09:37:13 AM » |
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What I love about this is no-one here has heard the album and yet strong opinions are being expressed!
Because we have heard several of the songs live and know the source of others, a certain perversely initialled female songwriter amongst them. That's what made my heart sink. "The Crowd" as a Fairport classic anyone? Well you haven't heard all of them! C
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Back working on new album, with Peggy on base and a certain fiddle player who should be knighted :-)
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Ollie
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« Reply #87 on: December 11, 2010, 12:37:47 PM » |
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...the slaughtering of a much loved favourite...
Have you actually heard this unreleased album? Name me one Fairport re-recording that is better then the original, and I will gladly eat my words. The only one to come close is Polly on the Shore, and even then I reach for the original when I want to her it. The version of Portmeirion on XXXV sounds better to my ears than the original from Expletive Delighted. The XXXV interpretation features a much stronger bass line, flute from guest Ian Anderson, percussion instead of keyboards, and a fine mandolin solo. Yes, I agree. However, I am slightly biased as that version of Portmeirion has got a helluva lot to answer for!
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"Tradition must be respected, convention can be broken; but only when you know which is which."
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Dave Brzeski
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« Reply #88 on: December 11, 2010, 12:49:44 PM » |
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"Dave, this conversation can serve no purpose any more."
Ouch! I feel like I've just been told off by teacher for talking in class. It was a joke, I admit badly put, based on the fact that expectations can affect how you react to something when you finally experience it. If you expect a thing to be awful & it's not, you like it more than if you expected great things, but it didn't quite reach the mark. I was suggesting jokingly (& badly) that all the people who have been condemning the new album without even hearing it (& I'm NOT one of them) were trying to protect themselves by giving it a chance to be better than their expectations.
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GubGub (Al)
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« Reply #89 on: December 11, 2010, 12:53:49 PM » |
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What I love about this is no-one here has heard the album and yet strong opinions are being expressed!
Because we have heard several of the songs live and know the source of others, a certain perversely initialled female songwriter amongst them. That's what made my heart sink. "The Crowd" as a Fairport classic anyone? Well you haven't heard all of them! C Point taken! And I am sure your contribution will be one of the highlights though I would rather hear you play it!
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Andy
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« Reply #90 on: December 11, 2010, 07:17:45 PM » |
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"Dave, this conversation can serve no purpose any more."
Ouch! I feel like I've just been told off by teacher for talking in class. It was a joke, I admit badly put, based on the fact that expectations can affect how you react to something when you finally experience it. If you expect a thing to be awful & it's not, you like it more than if you expected great things, but it didn't quite reach the mark. I was suggesting jokingly (& badly) that all the people who have been condemning the new album without even hearing it (& I'm NOT one of them) were trying to protect themselves by giving it a chance to be better than their expectations. Dave, I wasn't serious, merely being silly and using quotes from 2001 - A Space Odyssey!
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Addie
Fizzy beef juice?
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« Reply #91 on: December 11, 2010, 07:39:02 PM » |
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If it's any consolation Andy, I clocked it.
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Sidling out of stores gingerly and embracing margins since 2008
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Dave Brzeski
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« Reply #92 on: December 11, 2010, 08:14:39 PM » |
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Dave, I wasn't serious, merely being silly and using quotes from 2001 - A Space Odyssey!
I haven't seen that film since around 1972!!! LOL I think I was nervous about people not "getting", my comment anyway & was half-expecting to be called up on it. LOL
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KascadeDan
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« Reply #93 on: December 25, 2010, 01:01:31 PM » |
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Which format do you think the album packaging is more likely to be? Considering a lot of Fairport's releases in the last couple of years have been Digipack, I would probably think that, but SoO was Jewel Case, as were all the studio CD releases prior to that.
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Mortlake "Obsidian Mirror" streaming now.
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Jim
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« Reply #94 on: December 25, 2010, 01:05:25 PM » |
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Which format do you think the album packaging is more likely to be? Considering a lot of Fairport's releases in the last couple of years have been Digipack, I would probably think that, but SoO was Jewel Case, as were all the studio CD releases prior to that.
do you know, i really couldnt give a toss happy Christmas
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The Dude abides
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Ollie
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« Reply #95 on: January 06, 2011, 11:48:24 PM » |
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"Tradition must be respected, convention can be broken; but only when you know which is which."
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Andy Tuck
A creme egg moment
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Dolphins are Evil They Eat Kittens...
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« Reply #96 on: January 07, 2011, 12:00:52 AM » |
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Just been listening to all the clips. Doesn't sound too bad, though more folk than rock. Red Shoes track Celtic Moon seems to work well, though it is a wonderful track and I do prefer Caz's vocals.
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Still listening to the telepathic pirate radio show from the flying teapot.....
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GubGub (Al)
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« Reply #97 on: January 07, 2011, 12:01:42 AM » |
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Hmmm. Sounds from the clips as though it could lose 3 or 4 tracks. Simon sounding strangely like the lead singer from Great Big Sea on a couple of vocals. Potentially one of their stronger recent efforts though subject to appropriate use of the skip button.
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Ollie
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« Reply #98 on: January 07, 2011, 12:07:01 AM » |
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It reminded me, oddly, a lot of Jewel in the Crown, especially the funky bass from Deep Egg on Albert & Jack.
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"Tradition must be respected, convention can be broken; but only when you know which is which."
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Addie
Fizzy beef juice?
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« Reply #99 on: January 07, 2011, 12:14:13 AM » |
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Jane will be happy. She guessed "Celtic Moon" over my "Something Wicked". I'll go have a listen.
Edit - Pleasantly surprised, quite like the sound of tracks 1 and 5
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« Last Edit: January 07, 2011, 12:24:25 AM by the hooded claw (Addie) »
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Sidling out of stores gingerly and embracing margins since 2008
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