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Author Topic: Shane Kirk's blogs  (Read 202665 times)
Shane (Skirky)
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« Reply #220 on: February 25, 2024, 11:27:18 AM »

For those who do the Spotify, it’s this one. We funked* it up a bit with bass, percussion and keyboards. Tony was extraordinarily prescient in predicting a certain presidential look, as you can tell from the cover art…  Grin
https://open.spotify.com/track/47ltjj3vAsIrIBMT1gzr70?si=_wf1DHjJTzGyMu__WjE09Q

*Fill in your own jokes.
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Shane (Skirky)
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« Reply #221 on: March 24, 2024, 11:05:51 AM »

I’ve been out again. I met The Artist Formerly Known as Serious Keith in case anyone still here remembers the Farnishes. https://skirky.blogspot.com/2024/03/and-so-again-to-helstock-which-as.html
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« Reply #222 on: March 27, 2024, 09:32:12 AM »


I’ve been out again. I met The Artist Formerly Known as Serious Keith in case anyone still here remembers the Farnishes. https://skirky.blogspot.com/2024/03/and-so-again-to-helstock-which-as.html


I absolutely do and coincidentally was speaking to Pastie boy at the weekend about missing my chats with him on here.Send him my love when you next in contact.
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« Reply #223 on: March 27, 2024, 02:36:40 PM »



I’ve been out again. I met The Artist Formerly Known as Serious Keith in case anyone still here remembers the Farnishes. https://skirky.blogspot.com/2024/03/and-so-again-to-helstock-which-as.html


I absolutely do and coincidentally was speaking to Pastie boy at the weekend about missing my chats with him on here.Send him my love when you next in contact.


Yep, moved from the sunny climate of Essex to Scotland I believe, a few years ago now though! Do send regards.  Wink
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« Reply #224 on: July 08, 2024, 06:38:52 PM »

Reports from a surviving festival, and how rain and electronics make for uneasy bedfellows. Incidentally, Dolly Parton’s bass player has subsequently commented on the “Great sound”. Regular Cropredy goers may recognise him from last year’s set with Richie Owens.
https://skirky.blogspot.com/2024/07/micks-blessings.html
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« Reply #225 on: August 18, 2024, 10:38:23 AM »

I have done a writing. https://skirky.blogspot.com/2024/08/you-cant-buy-time-but-you-can-sell-your.html
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« Reply #226 on: August 18, 2024, 11:06:13 PM »

No-one covers Jimi Hendrix' "All Along The Watchtower" or Zappa's "Gumbo Variations" these days.

Oh, they never did. Not even on the Tube.
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« Reply #227 on: August 19, 2024, 10:05:44 AM »



Love a bit of Roddy and Aztec Camera. I saw them a couple of times in the 80s, one tour Ian McNabb was the support act. The one song from the High Land album which I worked out on the guitar was Release. Some nice major and minor 7th chords on that one and it's one of the slower songs.
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« Reply #228 on: August 19, 2024, 11:20:55 AM »




Love a bit of Roddy and Aztec Camera. I saw them a couple of times in the 80s, one tour Ian McNabb was the support act. The one song from the High Land album which I worked out on the guitar was Release. Some nice major and minor 7th chords on that one and it's one of the slower songs.



I think I've only seen Roddy once...supporting Bob Dylan at Hammersmith Odeon, early 90s.  Oh, hang on...playing guitar with Edwyn Collins a few years back as well.  He should definitely have made more of his undoubted talent.
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Shane (Skirky)
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« Reply #229 on: August 19, 2024, 12:52:17 PM »





Love a bit of Roddy and Aztec Camera. I saw them a couple of times in the 80s, one tour Ian McNabb was the support act. The one song from the High Land album which I worked out on the guitar was Release. Some nice major and minor 7th chords on that one and it's one of the slower songs.



I think I've only seen Roddy once...supporting Bob Dylan at Hammersmith Odeon, early 90s.  Oh, hang on...playing guitar with Edwyn Collins a few years back as well.  He should definitely have made more of his undoubted talent.


He popped up in front of me once at The Milton Keynes Bowl playing incendiary lead guitar on The Waterboys' version of Purple Rain.
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« Reply #230 on: August 19, 2024, 12:58:08 PM »


He popped up in front of me once at The Milton Keynes Bowl playing incendiary lead guitar on The Waterboys' version of Purple Rain.


Just looked - Nice little line up that one - Simple Minds, Bangles, The Cult, Waterboys and In Tua Nua.  I did see the Waterboys at Glastonbury that year, which I know I enjoyed, but due to the chemical (in)balance of my head (I was looking for the Pan Within) almost anybody could have been playing lead guitar for them and I'd have barely noticed Grin
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« Reply #231 on: August 19, 2024, 01:21:33 PM »

Nice little line up that one - Simple Minds, Bangles, The Cult, Waterboys and In Tua Nua.

I was at that too, cracking day out from what I can remember, I might have imbibed a little  Wink
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« Reply #232 on: August 19, 2024, 03:34:52 PM »

Ah, I went the next day - Big Audio Dynamite, Dr and The Medics and Lloyd Cole.
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« Reply #233 on: August 19, 2024, 04:03:23 PM »


Ah, I went the next day - Big Audio Dynamite, Dr and The Medics and Lloyd Cole.


All bands I saw around then... Decent too.  I'll let you off Wink
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« Reply #234 on: September 06, 2024, 02:46:55 PM »

A bonus Weekend Blog Blowback to celebrate Bandcamp's Fee-Free Friday. We never did get round to that house concert... https://skirky.blogspot.com/2013/09/i-dont-get-around-much-any-more.html  
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« Reply #235 on: January 03, 2025, 04:41:14 PM »

A nice write-up about https://helenandtheneighbourhooddogs.bandcamp.com/ by The Music Rambler!

Helen and The Neighbourhood Dogs: A Fresh Chapter of Sound and Spirit

Hello, fellow music lovers!
If you’ve been following the evolving, yet timeless, journey of Helen and The Neighbourhood Dogs, you’re in for a treat. There’s something in the air — a shift, an undercurrent, a crackling of energy that can only mean one thing: new recordings are on the horizon.

For those unfamiliar with the group (but trust me, if you're reading this, you’re likely already acquainted), Helen and The Neighbourhood Dogs are a bit of an enigma in today’s music scene. Their style is both retro and forward-thinking, comfortable yet always exploring new territory. Picture a mix of smoky vocals, heartfelt lyrics, and instrumentals that can simultaneously soothe and electrify. Think of them as a soulful little corner of a bustling city where every note feels intimate, yet big enough to reverberate through your bones. It’s been a minute since we’ve heard anything new from the Dogs, but trust me, it’s been time well spent. Helen — the force behind the vocals — and the dogs (that stellar band of hers) have been simmering on something special, and after weeks of brewing the perfect storm, they’re finally ready to step into the studio.

The New Sound

What’s coming down the pipeline? Well, we don’t know exactly what to expect, but if Helen and The Neighbourhood Dogs' past recordings are any indication, we can expect a fresh sound that stays true to the group’s roots while pushing boundaries. Some whispers suggest that the Dogs are exploring a more experimental approach with their songwriting, blending a wider variety of instruments and playing with unexpected rhythms. Think of it as a smooth stroll down a familiar road but with a few fun, wild detours. For Helen, this next chapter feels especially personal. Over a coffee chat, she mentioned how the band’s collective experiences over the past few years — from live performances to personal milestones — have deeply informed the music they’re about to make. “We’re not just making music for the sake of it,” Helen explained. “It’s all about digging deeper. The stories we tell, the emotions we express, and the sounds we create have evolved with us.” One thing’s for sure: the vibe is going to be more intimate, more reflective, yet still brimming with that signature energy that the Dogs have become known for.

The Process: A Studio of Their Own
The big question on everyone’s mind, though, is where this magic will take place. Gone are the days of recording in some faceless, sterile studio. Helen and the gang have decided to break out and build something completely their own. A space where they can get creative without limitations. Picture this: a cozy studio tucked in a scenic location, perhaps surrounded by nature or in the heart of a gritty neighborhood, where the walls practically hum with potential. The Dogs have always been known for their tight-knit, collaborative energy. And this time, they're going even further into the creative process together. The band — from Helen’s haunting voice to the rhythms that drive the tracks — have spent the last few weeks sculpting demos, experimenting with layers, and working out the kinks of what will surely be a landmark project. “The idea is to really break free of any preconceived boundaries,” Helen noted during our chat. “We’re focusing more on how it feels than how it sounds on paper. We’re letting the songs evolve naturally, and sometimes, that means staying in the moment and seeing where the music takes us.”

Expect the Unexpected
If there’s one thing Helen and The Neighbourhood Dogs have taught us over the years, it’s that they’re never content to sit in one place for too long. Their music has always been about growth, about finding new ways to push the envelope while staying grounded in the truth of their sound. And as they head into this next recording session, we’re bound to see that ethos on full display.
Expect the unexpected: moments of raw energy, maybe a little more guitar distortion than usual, the kind of melodies that creep into your heart and make themselves at home. The dogs are going to bark louder than ever, and the world will be listening. So, whether you’re a longtime fan or just discovering their music, get ready. Helen and The Neighbourhood Dogs are about to take us on another musical journey, and if their past work is anything to go by, it’s going to be one hell of a ride. Stay tuned, folks. This is only the beginning.

Until next time,
The Music Rambler ✨

P.S. Don’t forget to give their last album a spin if you haven’t yet — you’ll want to be familiar with the territory before they take us to the next level!


Except...The Music Rambler doesn't exist. I just put "Write a Blog about Helen and The Neighbourhood Dogs doing some new recordings" into ChatGPT.
Spooky, isn't it?  Shocked
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« Reply #236 on: January 03, 2025, 05:02:42 PM »

Really quite scary!
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« Reply #237 on: January 03, 2025, 06:34:22 PM »


Except...The Music Rambler doesn't exist. I just put "Write a Blog about Helen and The Neighbourhood Dogs doing some new recordings" into ChatGPT.
Spooky, isn't it?
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Eurgh.  We're all going to hell in a handcart.
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« Reply #238 on: January 03, 2025, 07:09:42 PM »

Shane, a genuine question... how much of it is true (or close) and how much just random waffle?
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« Reply #239 on: January 04, 2025, 12:06:53 AM »


Shane, a genuine question... how much of it is true (or close) and how much just random waffle?


D’you know what? We’d probably have gone with “We’re not just making music for the sake of it,”
“We’re focusing more on how it feels than how it sounds on paper. We’re letting the songs evolve naturally, and sometimes, that means staying in the moment and seeing where the music takes us.” But we never ever said it.

We will probably put “A mix of smoky vocals, heartfelt lyrics, and instrumentals that can simultaneously soothe and electrify. Think of them as a soulful little corner of a bustling city where every note feels intimate, yet big enough to reverberate through your bones.” on the posters, but no real reviewer has ever said that about us.

We’re not building a studio, Helen has not had an imaginary coffee with a fictional interviewer, and although we are introducing some distortion (I played an electric guitar at our last rehearsal) and we do have melodies that (checks copy) creep into your heart, we’re not recording at all.

I think it’s really interesting that the creep between (say) predictive text and an entire imaginary press release has come on so quickly. Essentially, if you want to express yourself, do it. If you need to create content, I think we’re going to end up with bots reading other bots’ output, and responding in a bot-friendly fashion.

What a time to be alive!


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