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Shane (Skirky)
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« Reply #60 on: July 03, 2015, 09:49:30 AM » |
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A really good album, but be sure to get the deluxe version. The bonustracks are worth it.
There's a case to be made that for long-time Thompy watchers the 'bonus' CD is arguably more interesting than the album proper. |
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Everyone's from somewhere, baby - might as well be here.
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GubGub (Al)
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« Reply #61 on: July 03, 2015, 10:40:41 AM » |
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Finally had the chance to listen to the album (though not yet the bonus EP). First impressions are that this has the potential to be regarded as on of RT's finest albums after repeated listens. My initial feel is it is his best, certainly since The Old Kit Bag, maybe since Mock Tudor.
I really love Jeff Tweedy's warm production, evoking Joe Boyd's work on on Bright Lights and Shoot. The guitar sound also largely seems to hark back to the pre Capitol era of Richard's work.
I am looking forward to further listenings and indeed the EP but mention of Mock Tudor reminds me that I must now get on with mowing the lawn!
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Nick
Calendar Boy
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Block and Chip
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« Reply #62 on: July 05, 2015, 08:27:01 PM » |
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Now there's a thing... RT's new album had gone top 10! http://www.bbc.co.uk/radio1/chart/albumsCheers Nick |
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You've got questions, we've got assumptions
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Chris
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« Reply #63 on: July 06, 2015, 10:37:57 AM » |
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He made number 1 in the Irish chart....
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GubGub (Al)
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« Reply #64 on: July 06, 2015, 11:30:44 AM » |
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Arguably, ever since Amnesia, RT's almost been obliged to put a "radio-friendly potential hit record" on every album, e.g. Bathseba Smiles, She Said It Was Destiny, Good Things Happen To Bad People, etc.
One of the things I noticed about the new record is that he has not really done that this time round. There are several uptempo songs but nothing with quite that kind of feel or those kinds of big choruses. There are also no long songs with extended guitar workouts which have largely been a feature of his electric albums since Amnesia (with the possible exception of Rumor & Sigh). |
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RobertD
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« Reply #65 on: July 06, 2015, 02:48:35 PM » |
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Arguably, ever since Amnesia, RT's almost been obliged to put a "radio-friendly potential hit record" on every album, e.g. Bathseba Smiles, She Said It Was Destiny, Good Things Happen To Bad People, etc.
One of the things I noticed about the new record is that he has not really done that this time round. There are several uptempo songs but nothing with quite that kind of feel or those kinds of big choruses. There are also no long songs with extended guitar workouts which have largely been a feature of his electric albums since Amnesia (with the possible exception of Rumor & Sigh). Rumor & Sigh had Mother Knows Best, which is one of my favorite guitar workouts from him, though maybe not quite as extended as other ones. |
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I'm just a little shy of Surf's Up and I'm deeper than Twist and Shout....Iain Matthews
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PLW (Peter)
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« Reply #66 on: July 07, 2015, 01:03:41 PM » |
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Anyone spot the similarity in style of Pony in the Stable and Bring Me Back My Feathers on Myths and Heroes? You'd almost think some of those musicians came from the same roots  |
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Chris from Fieldtown
Sorry Bob
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« Reply #67 on: July 07, 2015, 04:19:20 PM » |
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Finally had the chance to listen to the album (though not yet the bonus EP). First impressions are that this has the potential to be regarded as on of RT's finest albums after repeated listens. My initial feel is it is his best, certainly since The Old Kit Bag, maybe since Mock Tudor.
I really love Jeff Tweedy's warm production, evoking Joe Boyd's work on on Bright Lights and Shoot. The guitar sound also largely seems to hark back to the pre Capitol era of Richard's work.
I am looking forward to further listenings and indeed the EP but mention of Mock Tudor reminds me that I must now get on with mowing the lawn!
A couple of plays now and I agree about the production, it's a great sounding album with mandolin making a welcome return. It reminds me of You, Me, Us which is fine in my book. I think it's a really good album but just a song short of being a classic, it needs a Beeswing/Vincent level masterpiece to really put it right up there with his best work. |
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RobertD
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« Reply #68 on: July 07, 2015, 04:20:41 PM » |
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Anyone spot the similarity in style of Pony in the Stable and Bring Me Back My Feathers on Myths and Heroes? You'd almost think some of those musicians came from the same roots Interesting, and apt comparison that I had not noticed myself. Well spotted! |
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I'm just a little shy of Surf's Up and I'm deeper than Twist and Shout....Iain Matthews
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Shane (Skirky)
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« Reply #69 on: July 07, 2015, 04:27:01 PM » |
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Everyone's from somewhere, baby - might as well be here.
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RobertD
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« Reply #70 on: July 07, 2015, 04:42:06 PM » |
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"Despite his 20 years under the LA palm trees". Um, more like over 30 at this point!
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I'm just a little shy of Surf's Up and I'm deeper than Twist and Shout....Iain Matthews
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Andy
Brain half the size of a planet
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Not perfect. Never claimed to be.
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« Reply #71 on: July 07, 2015, 05:17:10 PM » |
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"Despite his 20 years under the LA palm trees". Um, more like over 30 at this point!
Exactly 30, I fancy. He married Nancy in 1985 and moved permanently to California at that juncture. (Although he had been visiting for a couple of years beforehand) |
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GubGub (Al)
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« Reply #72 on: July 07, 2015, 08:13:52 PM » |
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I think it's a really good album but just a song short of being a classic, it needs a Beeswing/Vincent level masterpiece to really put it right up there with his best work.
Ah, now that is where we have to disagree, those two songs not being favourites of mine. I know it s a controversial view. I know that Vincent is now regarded as Richard's great classic and God knows I would love to hear Dylan's performance of it but they just don't do much for me. |
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Alan2
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« Reply #73 on: July 08, 2015, 09:09:07 AM » |
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I think it's a really good album but just a song short of being a classic, it needs a Beeswing/Vincent level masterpiece to really put it right up there with his best work.
Ah, now that is where we have to disagree, those two songs not being favourites of mine. I know it s a controversial view. I know that Vincent is now regarded as Richard's great classic and God knows I would love to hear Dylan's performance of it but they just don't do much for me. Vincent, shminzent, I can do without it. But 'Beeswing' is special. But I don't count as a RT fan, properly. |
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Jules Gray
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« Reply #74 on: July 08, 2015, 09:14:26 AM » |
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Vincent, shminzent, I can do without it. But 'Beeswing' is special. But I don't count as a RT fan, properly.
I'm more of a "Beeswing Schmeeswing but Vincent is special" kind of guy.  Jules |
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Now be thankful for good things below
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Chris
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« Reply #75 on: July 08, 2015, 09:28:34 AM » |
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As am I, very much.
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Alan2
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« Reply #76 on: July 08, 2015, 09:35:39 AM » |
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NeilMcLaughlin
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« Reply #77 on: July 16, 2015, 12:49:50 PM » |
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A really good album, but be sure to get the deluxe version. The bonustracks are worth it.
There's a case to be made that for long-time Thompy watchers the 'bonus' CD is arguably more interesting than the album proper. Just wondered if, in light of the title of the ep "Variations", if anyone has figured out what songs each of these is a variation on yet? |
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Is it too late to change the way we're bound to go?
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Hibbitt (Christer)
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« Reply #78 on: August 28, 2015, 12:40:25 PM » |
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A really good album, but be sure to get the deluxe version. The bonustracks are worth it.
There's a case to be made that for long-time Thompy watchers the 'bonus' CD is arguably more interesting than the album proper. Yeah that's the way it is I think. The bonus cd is a bit more naked, a bit more guitar, a bit more nerve.  The regular album is good but not a Classic. A little too similar to Electric. |
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Doctor Monk unpacks his trunk tonight
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Shane (Skirky)
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« Reply #79 on: September 08, 2015, 06:25:06 PM » |
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Anyone spot the similarity in style of Pony in the Stable and Bring Me Back My Feathers on Myths and Heroes? You'd almost think some of those musicians came from the same roots It only struck me today that No Peace, No End has an air of Myths and Heroes about it. Lord only knows what might have transpired if RT had guested on that.  |
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Everyone's from somewhere, baby - might as well be here.
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